![]() ![]() The moving image solidified the relationship between both modes and began our current multimedia era. Furthermore, the development of abstract animation allowed fundamental aspects of music to be effectively visualized: time, gesture, and form, to name a few. Correspondences between acoustical and visual elements abound, both in theory and materialized in instruments to “perform” colors. One way to suggest an alternative is by rethinking the recital in an audiovisual way. Therefore, to advocate for modifications in the piano recital is simply to continue the rich tradition of a format that has not been rigid, but responsive to its environment. It is a format that, as this essay will examine, has evolved throughout its history in response to artistic, social, and technological changes. Since its inception, the piano recital has remained the principal-if not exclusive-model for presenting solo piano repertoire.
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